Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was truly chilling and disturbing. But numerous US citizens reacted differently: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company designed to maximize profits on your health.”
Less than a week after, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a McDonald’s in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with prosecutors seeking the death penalty. So who is Mangione? And what might have motivated the alleged crime? These are the issues John H Richardson seeks to resolve in an inquiry that explores broader themes, too.
Understanding the Person
A journalist for Esquire magazine, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an end-times scenario”. To uncover “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on a reading platform”. Their content covered climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many updates on digital networks. These primary sources, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson tries to justify this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “remove”, engraved on the bullets left behind at the crime scene. These are the terms occasionally employed by health insurance companies to deny coverage. He looks at the evidence Mangione had a chronic back condition, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.
Gaps in the Narrative
Notably missing from the book are conversations with the principal actors. Richardson asked, of course, but did not anticipate time with Mangione himself. And his family stated explicitly that they had chosen not to talk to the press in advance of the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his guidance, from 2021 to 2023, UHC profits increased by 33%.
Ambiguous Findings
By the conclusion, the reader has little insight of Mangione’s personality or what might have motivated his accused actions. Worse still, Richardson’s obvious sympathy for him gives the reader the uncomfortable impression of having been privy to a subtle approval of an assassination. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the emperor without clothes.” In that fable “outlaw heroes come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”
One thing is certain: as Mangione’s defence team continues in its attempts have charges that could lead to the death penalty thrown out, any mention of myths, Robin Hoods, heroes or monsters will not be allowed in court in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.